10.19.2018

Playmate Of The Month


Yay, Halloween story time again!  (The "Halloween Story Time" theme song plays, screaming kids go apeshit, there's a lot of crazed horn-honking for some reason).

This story's kinda I-dunno.  There's things I like about it, things I know are in the way but I can't seem to make myself kill-my-darlings about because I'm a stubborn and angry fanatic, and things that I'm not sure will work or not.  YOU be the judge!  You'll either love it, or you'll hate it, or you'll think it's okay.  If you think I'm goofy at the end of it, then, perhaps, I'm goofy.  Not my favorite thing I ever wrote, but you can only do so much revising before it just turns into picking-at-it-and-then-it'll-get-infected, so, here it goes.  In any case, it should be entertaining enough, with that smartass girl in it.

And, as always, there's a LOT of this kind of thing on the blog, and some's better, so please browse heavily and remember that constructive feedback is extremely welcome -- it's the only payment any of us get for this stuff, so don't be shy.  Stay tuned to this space, because KickerOfElves may have another story up by the end of the month.  If I un-lazy myself enough, I may revise one I've got, too.

Meantimes, here's a handy list o' further adventures in literary buttkickin', all free of charge.

KickerOfElves:
Profbolt:
My stuff:
And little descriptions of actual nightmares I’ve had





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                                       PLAYMATE OF THE MONTH

When they entered his apartment and he got his first look at Heidi in true light instead of the stylishly-divey dimness of Ye Olde Waterin’ Hole, Pete had to choke back an “oh my god.”  She was even better than he’d thought, moving straight from hottie to the maybe-the-prettiest-girl-I’ve-ever-seen category.   Already making notes in his head about how he wanted to describe her when he bragged about this on his YouTube channel, he started conniving means to get trophy pics.  No one would ever believe him otherwise; she was a proof-needed girl.

Heidi was tall, slim, almost spindly, but with just a magnificent ass.  Underperforming a bit in the tit department, yes, but that face, oh dear god that face could make him forgive anything.  Semi-hippie-girl hair hung straight to the bottom of her ribcage, brown, but the bright light of his apartment was picking out flows of honey in the midst.   Her eyes were green but there were drops of honey there, too, splashes of molten gold on jade.  Her nose was small, cutely just-enough-pugged, and she had a soft pink gently-triangular mouth that spread into a drowsy smile around perfect teeth.  “Wow, I like your apartment.  So tidy!”  she said.  Her voice had even more honey in it, with a slight raspy purr that tickled inside his head, warm and rich and thickly sweet.

Goddamn hot-hot-HOT.

“I try to keep it that way, but it’s a battle,” Pete said, one of the first non-lies he’d spoken tonight.  He had a natural inclination to be lazy and messy but one of his YouTube gurus had a big “clean your room” law for young men, and Pete was trying to follow the rules of success to the letter.  His father – a weak man who his mom was always chasing off -- hadn’t taught him much, so when he entered his twenties he’d started working hard at playing catch-up from fathers-of-choice he’d hunted down.   The conquest of Heidi was to be part of his revised manhood.

He led her into his kitchen, poured a bowl full of pretzel sticks and slid it across the counter toward her, then took out the good brandy snifters he’d special-ordered.  Gold-rimmed.  A cultured man has cultured things, Heidi would think.  

“My apartment’s such a mess, I’m such a slob,” Heidi said, slipping onto a stool and folding those crazy long legs one over the other.  The friction of fishnetted leg-on-leg yanked at something in his chest, made him ache.  My god, my god, he wanted that friction around his waist, his neck, it didn’t matter.

“I doubt that.  You don’t look like any kind of slob,” he said, taking out a bottle of brandy he really couldn’t afford.  “Like, not at all, actually.”

“I am, though.  You should see me eat.  I need two bibs, one for the back.”  She rolled those eyes,  spread a lazy smile, and poked a lucky pretzel stick into it.  He uncapped the brandy and she pushed her snifter away.  “None for me, thanks.  You already got me to your apartment, dude, no sense wasting that high-dollar poonshine on me.”

Pete laughed, shocked at the bluntness of her terminology.  Pushing the glass away had looked like some kind of chess move he wasn’t sure how to counter.  “I’d hardly consider it wasted,” he said.

She gave him another smirky smile and shrugged, then nibbled another pretzel.

“Hey, what’s your last name again?”  Pete asked, pouring himself some brandy.  “I didn’t catch it back at that noisy club.”

“Maybe ‘cuz I didn’t throw it,” she said.   “But it’s Stankbox.”

Pete blurted a laugh, and Heidi cinched her eyes at him and pouted her lips, teasingly indignant.

“Are you laughing at my name and heritage, sir?  Don’t force me to challenge you to a duel.  Or a triple, if there’s time.”   She raised an eyebrow, squinted one eye.

“You’re kidding, right?  Jesus Christ!   Nobody’s named Stankbox,” he laughed.  He was a little nervous, realizing Heidi was weirder than he’d been trained to handle.  Back at the club she’d seemed giggle-dumb and passive, and now this?

“Except for Mortimer Stankbox, poor lonesome bastard that he was,” Heidi said, shaking a pretzel stick at him.   “Yes, dear lad, I am kidding.  You see, not only am I quite pretty, I am hi-larry-yuzzzz.”   She made a show of biting the pretzel in what he found to be a suggestive manner.

“So, what’s your last name for real?” he laughed.

“My last name for real doesn’t matter at this point in time,” she sighed.   “If things go well and there’s fun-fun-fun, then we’ll worry about such things.   For the record, until and unless I end up liking you, your name’s Peter Whogivesashit.  And if it goes real bad, we’ll even lose the Peter after a week.  Your name, I mean, not your peter-peter.  Heaven forbid.”   She looked at his reaction, then laughed.  “Settle down, I’m not a psycho or anything.   I am a little awful, though, I guess.  Anyway, I bet that was a rough name to grow up with, boys being how they are.  With only your friend Dick giving you any peace.”  She flashed her eyes and smirked.

Pete forced himself to laugh but he didn’t like this much.  Heidi was too challenging and was wresting control of the situation from him, and that was not part of his adopted style.   He considered asserting himself a bit but that might not work on Heidi, who had far too much self-confidence for his taste.  If she walked out  he’d have to jerk off about her and that’d be humiliating, plus he’d get no video brag out of it, at least not a truthful one.   He didn’t have much experience with this but supposed some girls were more work than others.  He’d have to play it cooler than he felt.

“Is Heidi your real name, at least?”

He had to take a laugh for an answer.

 “Well, anyway, I like a direct girl,” he lied, then sipped the brandy.  It didn’t taste a hundred dollars better than the kind he’d previously bought.  Most of the cost was in the reputation, he supposed.  He wished she’d at least try some, perhaps be impressed, help him out.

“You’ll love me, then,” she said, folding her hands and resting her chin on them, looking hard at him with crinkle in the corner of her eyes.  “My filter is buh-roke!   I’m direct as a cruise missile, baby.”  She drew an arc in the air with her hand and whistled then boomed.  “Want an example?”

He half-laughed.  “I don’t know, do I?”

“Take a risk,” she whispered.  “Win a prize.”

“A’ight.  Shoot me.”

“Okay,” Heidi said, breathed deep, smiled, and said, “You think girls don’t watch those pick-up artist videos, don’t you?”

A chill went through him.  He’d been clumsy and now he was caught.  And she was, indeed, direct.  Would she be kind enough to let him weasel out?   Probably not.  He wasn’t sure how to counter this.  “Huh?  What do you mean?”  

She rolled her eyes.  “Oh, come on, don’t blow it by lying after I gotcha!   I’m here, right?  Even though I knew?   That means I don’t caaarre.   But if you treat me like I’m dumb, I might get insulted and pack up my pussy and go home.”

“Well, don’t do that,” he said, leading her back into the living room, hoping a change of venue might turn things.  He was getting weirded out by the whole thing, shocked by what she was saying, confused.  There’d been a plan for this and it had been torpedoed.   

“Yeah, that’d suck, huh?”  Heidi grabbed the pretzel bowl and threw herself onto the couch and laughed at him, which he really didn’t like, but he had to play this right.  Vulnerability was a bad move with the female, he’d been told, but maybe he could do some kind of tai chi, salvage this lay.  

“Okay, I guess I did watch a few, just for some help, y’know.  Is it really that obvious?”

She widened her eyes and nodded with tight-lipped teasing grimness.  “I could practically see you checking off the boxes in your head, dude-bro.  This-move-builds-on-that-move-and-part-A-intersects-with-part-B-and-then-pussy!  Flow chart!”

“Well, damn,” he laughed.  His face felt hot and he hoped he wasn’t blushing.

“Don’t feel bad.  I thought it was cute.  I mean, I’m here, right?  I don’t mind game players.  I like playing, too.  I especially like being a prize.   But I just don’t want you thinking I’m stupid.  Don’t think you’re fooling me into what I want to do anyway.”

“Oh, I don’t think you’re stupid,” he said.  “If I ever did, I don’t anymore.”

“Good boy,” she purred.  There was a polished wooden box on the end table and she lifted the lid and looked in.  “Humidor.  You smoke cigars?”

He decided to keep trying honesty as a tactic, since he was already caught anyway.  “Not really.  But I bought all the stuff before I found that out.  Please have one if you like?”

She poked out her tongue and made a face.  “Not hardly.  Cigars taste like late-stage tuberculosis.  So, did you think you should be into cigars ‘cuz all those big-shot manly-mans on YouTube are always puffing ‘em so smugly?”

“Well, something like that, I guess.”  Pete was getting a little angry – and a little afraid – at being figured out, but he was also intrigued, and he really wanted to fuck her.  If this was a contest, he could still win by being used-in-return.  Heidi might be wise but also seemed to be down with it, no bitchy feminist. 

“And you aspire to smugness, too.  It’s okay.  Everybody’s trying to find their way.  Just…”   She rolled her eyes to the ceiling and dug at the corner of her mouth with a finger, thinking, then stared at him intently.  “Just don’t put so much stock in what some buttholes on YouTube say about things.  They don’t have magic knowledge, you know.  Anybody can put up those videos, they don’t know any more than you do, most of the time.  They just present bullshit confidently, convince you you’re incomplete, then sell you the spare parts so they can have little copies of themselves around.  That way they don’t have to be the only dorky asshole.  Nobody leads anyone else for their benefit, you know, it’s always the head of the snake that gets all the glory.  And they do it all for ‘likes.’  Likes.  Which is already pitiful dog-showing-its-belly business.”

“You could be onto something there,” he said, fighting the impulse to defend his instructors’ honor, but afraid he’d lose and screw up his chance to get laid.

“Like that mig-tow shit.  Em-gee-tee-oh-dubya, ‘Men Going Their Own Way.’  Oh no!  What’ll us girls do?”  She stared at him with mock horror that melted into a grin.  “You realize that’s basically being gay without committing to the sex-with-other-guys part, yeah?  Those dudes want all their real relationships to be with other men, while just using us dumb girls for sex… and even that’s mostly just so they can tell other men they did it.  Sex with another guy, once removed.  The girl’s just a conduit and the red pill’s just another drug that supplies a different set of illusions.  Mig-tow might just be ‘muh-buh’ – Men Being Herded.   And that’s about the dumbest noise in the world, ‘muh-buh.’   You can barely say it without drooling.  ‘Muh-buuuhhhh.’  Sound of a sheep going onto a hook.”  She giggled, watching his reactions intently, obviously trying to trigger him.

He shrugged, not knowing what to say.  She knew too much about him without even knowing him, and it made him nervous.  Mostly he resented it.  He wanted to be mysterious, hard to figure out, and she’d taken his ego and pantsed it.  Now he just wanted it not to get worse.

Heidi laughed.  “You’re getting mad.  You want to fuck, not get a lecture, huh?”

“Well…”  He shrugged and smiled.  Anger wrestled desire, lost.  

“Maybe if I recorded it and uploaded it you’d sit through it.  Maybe if I intercut shots of Joe Rogan looking like a befuddled dope.”  She made a Joe Rogan face that was so accurate he had to laugh despite his annoyance, then she nibbled another pretzel.  “It’s okay, sweetie.  It’s even okay that you’re doing your lifting wrong and it’s giving you titties.”  She hooked thumbs under her own and gave them a peepshow jiggle.

“Hey now…” he said, laughing.  His face burned again.

She smiled.  “Sorry, I go too far and get bitchy.  It’s why men start going their own way in the first place, isn’t it?  Bitchy girls.  I’m sorry.  I’m just teasin’.  Don’t worry, I’ll make putting up with me worth it.”

“How?  You gonna paint my house?”  He smiled so she’d think he was teasing too.

“Oooo-hoo, was I that bad?  I’m not that mean, am I?”

“Nah, I’m just playing.  Two can, you know.”

“Good!  I like playing!”   Heidi sat up, scratching herself.   He realized she’d been doing that a lot.  That was a sign of nerves, he thought.  The knowledge that maybe she wasn’t as cool as she was playing it relaxed him a bit.  “I have a game I think you’ll like.  You want to play?”

“Is it going to end up with us in bed?”  

She laughed.  “Absolutely!  That is what I’m here for, even though I’m being difficult about it.  I’m not stupid, even though I’m cute enough to be.  I just want a little respect, y’know?”

“You have that,” he said.  “Shot my game right down, but I still like you.”

“You have to,” Heidi said, rolling her eyes and shrugging.  “I am adorable!”  She hugged herself, digging at her back.

“Yeah, I’m kinda picking up on that,” he said.  She made him nervous, but it was a delicious kind of nervous.  It was out of control but still seemed to be headed in the direction he’d planned. 

“So.   What I want to play is hide-and-seek,” she said, rubbing her legs, making him crazy.

“Isn’t that kind of a kid’s game?”

“Not the way Heidi F. Stankbox plays it!”  She threw her arms up in a cheerleader pose.  “Heidi-seek.  You’ll love it, promise.  Humor me!”

“This isn’t a trick where you’ll run off and leave me looking stupid, is it?”

Heidi pouted and held up three scout’s-honor fingers with one hand while drawing an X on her chest with the other.  She raised an eyebrow and drew two more X's, then winked.

“Okay, I think you’re worth a gamble.”

Heidi got up and ran a finger under his jaw, tilted his chin up, and leaned in almost close enough to kiss him.  “Oh, I am,” she whispered.  He got a good look at the honey swimming in those eyes and the purr in her voice sent a twinge to his groin.  She had a few light honey-colored freckles, and her scent was yet more honey, cocktailed with a mad swirl of supernova pheromones.  If it was perfume whoever invented it ought to be a goddamned billionaire.  God god god, hot hot hot, afuckingtomic.  He was deliciously intimidated, and a little dazed. 

“I’m going to call you Honey,” he said.

“You can call me anything except tomorrow if you’re no good tonight.”  She flashed a smile that was a little crazy.  “Now gimme your shirt.”

“Why?” he laughed.

“So I can see them jugs, Ah-nuld!  No, no.  Because you’d look even sillier with your underpants tied around your head, goofus.  We need a blindfold.”

“What about I just promise to keep my eyes shut?”

She sighed.  “Boys who play pick-up artist games don’t get to use the honor system.  If you cheat, deal’s off.  If you don’t cheat…”   She leaned in and whispered, “…we fuck like da bunnies!”

“God damn,” he laughed, unbuttoning his shirt.  “You are off the hook!”

Heidi put one hand on her outthrust hip and examined the nails of the other.  “I get more shirts off of boys with that line.”

“Yeah, I bet,” he laughed.

“Works way better than my old approach, which was ‘gimme your shirt or I’m gonna fart!’”

He laughed hard.  “You are a trip, Heidi Whateveryourdamnnameis.”

“Yup.  Trippy-trip-trip.  Said the Billy Goat Gruff.  Or was that the troll?  Did he eat the goats?  I would’ve.  Mmm, goats.”

He slipped the shirt off and tossed it to her.  “Think you’re so bad, don’tcha?”

“Only if you ain’t got no kryptonite, son.  Now, face the wall.  Time to play Heidi-seek.”  She twirled the shirt, making a long thick strip of it, biting her lip.   Feeling silly, Peter faced the wall and Heidi slipped behind him and put the shirt over his eyes, then knotted and cinched it, too hard.  “Now count out loud to six hundred.”

“Six hundred?!”

“I don’t know your apartment!   I need time to find a good place.  I don’t half-ass it when I play hide and seek, dude.  I whole-ass it.”

“It’s an apartment, though, not Nebraska!   Jesus, six hundred!

“Six hundred.  Out loud, so I know you aren’t cheating.  It’ll be worth it.  C’mon, trust the pretty girl you never saw before who won’t tell you her last name.”

He laughed.  “You’re making this sound really attractive, and like a totally smart thing for me to do.”

Her voice whispered in his ear.  “Like da bunnies. Oh, fink uff da bun-NEEEEZZZZZ, Pee-tor!”

He breathed deep of her scent, held it in like a toke, reluctantly let it out. “I repeat, you are a trip, Heidi.”

“Oh, darlin’, you just have no idea.  I am a black-ice psychedelic nightmare.  But you gotsta know, huh?  Huh?  Don’tcha huh?”

Pete sighed.  “God, I am an idiot.”

“Your dick is an idiot, and you’re listening to it.  Because it’s being so loud right now.  I handed the lil’ fella a megaphone.  He’s hollerin’ ‘C’mon, Pete, let’s go!’   How you gonna have any fun if you’re smart all your life? This will be fun, I swear to god.”

“You do, huh?”

“Yep.  I bet you actually end up liking me.”

“Okay then, if you swear to God.”

“Ha!  Next time you should check that the girl’s not an atheist.”  

Pete shook his head and laughed.  “If I hear the door to the apartment open, deal’s off.”

“I wouldn’t do that to you, sweetie.   I play weird but I play straight.  Besides, I’d be cheating myself of something I really want.  Now, one, two…”

“Okay, three, four…” he said.  Heidi giggled, clapped, and scampered off somewhere in the house.

Pete started feeling really stupid well before two hundred but he kept thinking of those legs rubbing on each other when she sat, and her scent, and he kept calling out numbers.  He could hear her moving around the house, giggling.  He wondered if she were trashing the place and escaping through a window.  If she wasn’t so goddamned motherfucking hot he’d never put up with even half of this.  He was going to leave a lot of this out when he told it to his camera for YouTube.  He considered himself an alpha male but sitting with a shirt tied around his head counting for pussy was decidedly beta-cuck bullshit.  If he got to fuck her he’d be more than redeemed, though, so he kept counting.  Three hundred, three-fifty, four.  He’d never get there.

But he did.  “Six hundred!  Okay, ready or not, here we both come!” he said, and pulled the shirt off his face and turned around.



One of Heidi’s black pumps was hanging from his ceiling fan pull-chain, the spike heel hooked through the pull-ring.

Another shoe was on the stairs.  A fishnet hose draped the bannister.

He smiled, heading up the stairs, finding her blouse at the top of them.

He peeked into another room, found her flirty little skirt.  He hadn’t realized how light the thing was, hardly more than a scarf.  He imagined that ass, unskirted.   He gave the room a quick search.  No Heidi, but there was a little black lace bra behind the door. 

“Okay, well played,” he laughed.  “I really want to find you now!”

Further down the hall, black silk panties, trimmed in lace, high-cut like Victoria’s best-kept secret, not much bigger than a candy wrapper.  “God damn, girl,” he breathed.  The other fishnet stocking draped the bedroom’s doorknob.  “You aren’t good at hiding, leaving a trail like this.  It’s like you want to be found.”

In the bedroom, impossibly, he found one more article.   At first he thought it was some kind of nightgown, maybe a slip, an ivory-white gossamer thing.  He picked it up and long strands of brown hair, honey where the light swam through it, rained down from it.

“What the hell?  What is this?” he gasped.  It was impossible, but he knew exactly what it was.

Heidi’s skin.  No longer beautiful, shed like a husk, split up the back and shucked.

He’d wanted to touch that skin all night and now he tossed it away with a sickened squeak.

Numb shock overwhelmed him and shut him down.

“They never look at the ceiling.”

Heidi’s voice came from behind and above and was full of giggles.  There was a chitinous skritch of something strange moving, and her voice, with all the honey leached out of it and replaced by buzz rasped, “Playtime!”  And then a thunderous whir of alien wings as the Heidi thing swept down onto him, raging with lust.

She ate his eyes before he even got a good look at what she’d become, and he was soon grateful since it spared him having to watch the rest of what she did.


                                                                   THE END

 

(C) Copyright 2018 by me so don't be a thievin' asshole

10.15.2018

October Horror Goodies Part 1

Hello there! I'm working on another spooky short story that I hope to have ready by October 31. Until then, here's a list of horror goodies I've been posting to Facebook on a daily basis and am now collecting here because I can. Beware of spoilers, etc. I plan to post another set of 15 on October 30 followed by my story the next day. Enjoy!

October Horror Goodie 1/31: Last Days – Adam Nevill (2012)

Adam Nevill has been described as “Britain’s answer to Stephen King,” which is as good a description as any to convey the power of his work. Actually, no – here’s a better one: this book and another I’ll discuss in a future post are the only ones I’ve ever finished and then immediately started over – i.e., I literally finished reading the final page, flipped back to the first page, and began again because I had to re-immerse myself in that world.

In Last Days, the world centers on documentary filmmaker Kyle Freeman, who gets hired to make a film about a notorious cult called the Temple of the Last Days and, in the process, learns far more than he should about this cult, its practices, and its awful, awful summonings. Every passage is loaded with either rumbling dread or outright terror (how Nevill manages this effect without overdoing it is beyond me), but one scene in particular rises to the level of a masterclass. The always-awesome Zwolf wrote a stellar review of Last Days upon whose excellence I cannot improve, especially his description of the scene in question: “What happens in pages 329 through 333 might make you afraid of the dark for a while, because it’s one of the scariest written horror scenes since Danny Torrence went into room 217.” There is no hyperbole in this statement; the Danny-in-room-217 scene from The Shining is the scariest chapter in all of horror fiction, and the comparable one from Last Days is either a close second or tied for first. It is absolutely terrifying. If you’re a horror fan and you haven’t read Nevill, you’re missing out on some of the best and most frightening work of all time.



October Horror Goodie 2/31: The Blackcoat’s Daughter (2015) (free with Amazon Prime)

This little-known film is taut and full of dread and, like The VVitch (you know I’ll get to this one eventually), approaches its subject matter at face value without hinting much at rational explanations. Kiernan Shipka (of Mad Men fame) is a student stranded with another student (Lucy Boynton) and some sort of evil force at their boarding school over winter break. One of the best things about this film is that it hits the sweet spot of explication, explaining just enough to keep you intrigued without leaving too much out (looking at you, The Invitation) or overdoing it (hi there, 99.4% of all horror movies). Case-in-point: the story involves semi-confusing but ultimately very effective flashbacks and flash-forwards that enhance the story and its power instead of functioning as cheap, lazy gimmicks. There’s also a quick moment near the end whose emotion and unpredictability pierced my heart; I was so surprised that I rewound and watched this scene a few times to make sure I had it right. Damn good stuff.

A final interesting point: before I watched this film, I read a review that floated a theory – Kiernan Shipka’s character is actually Don Draper’s daughter (the role she played) from Mad Men who’s been shipped off to a boarding school under a pseudonym, and if you watch the movie, you’ll see it hints at some paternal/familial baggage that aligns rather well with the Mad Men narrative. This theory is so fascinating to me that I never want to know definitively whether it’s true or not – I just want to hold onto it as a useful prism through which I can view this story.


October Horror Goodie 3/31: True Detective season 1 (2014)

Though it’s far more crime procedural than horror, the first season of True Detective (which is easily my favorite single season of TV ever) incorporates lots of horror elements and is just incredibly, atmospherically creepy in general. Within ten minutes of the first episode’s start, we’re treated to a crime scene that’s equal parts Silence of the Lambs, Se7en, and pagan ritualism, all of which figure heavily in a labyrinthine plot centered on seemingly related killings investigated by Rust Cohle (Matthew McConaughey) and Marty Hart (Woody Harrelson) over a 17-year period. Additionally, the themes and the dialogue itself allude to (and sometimes flat-out quote) horror-genre touchstones like Robert Chambers’ short story collection The King in Yellow and the works of Thomas Ligotti. I desperately want to tell you about the show’s two most horror-tastic sequences, but I’m afraid I’ll spoil something; suffice to say, though, that these two extended set pieces will probably stay with you for a long, long time.

And then there’s McConaughey’s acting. Hoo-boy. If you’ve seen the Lincoln car commercials he was in over the past few years (the ones that SNL masterfully spoofed), then you already kinda know the shtick he created for the Rust Cohle character. For me, it teeters on the brink of absurdity throughout all eight episodes, always threatening to become ludicrous but never quite doing so, which is a neat acting trick: how did he devise such a drawling, fatalistic philosopher-poet-special-forces-level badass without turning him into a caricature? I’ve no doubt he IS a caricature for many people, but he’s fried gold to me. And he’s endlessly quotable:

I think human consciousness is a tragic misstep in evolution. We became too self-aware. Nature created an aspect of nature separate from itself – we are creatures that should not exist by natural law…We are things that labor under the illusion of having a self, that accretion of sensory experience and feelings, programmed with total assurance that we are each somebody, when in fact everybody's nobody…I think the honorable thing for our species to do is to deny our programming. Stop reproducing, walk hand in hand into extinction – one last midnight, brothers and sisters opting out of a raw deal.

MARTY: There’s all kinds of ghettos in the world.
RUST: It’s all one ghetto, man. Giant gutter in outer space.

I can smell the psychosphere.

LUCY: You’re kinda strange, like you might be dangerous.
RUST: Of course I’m dangerous. I’m police. I can do terrible things to people with impunity.

You, yourself, this whole big drama, it was never more than a jerry-rig of presumption and dumb will, and you could just let go. To finally know that you didn’t have to hold on so tight. To realize that all your life – you know, all your love, all your hate, all your memories, all your pain – it was all the same thing. It was all the same dream, a dream that you had inside a locked room, a dream about being a person…And like a lot of dreams…there’s a monster at the end of it.

…if the common good’s gotta make up fairy tales, then it’s not good for anybody.

Transference of fear and self-loathing to an authoritarian vessel. It’s catharsis. He absorbs their dread with his narrative. Because of this, he’s effective at proportion to the amount of certainty he can project. Certain linguistic anthropologists think that religion is a language virus that rewrites pathways in the brain. Dulls critical thinking.

If the only thing keeping a person decent is the expectation of divine reward, then brother that person is a piece of shit; and I'd like to get as many of them out in the open as possible.

Yeah, people incapable of guilt usually do have a good time.

In eternity, where there is no time, nothing can grow. Nothing can become. Nothing changes. So death created time to grow the things that it would kill…and you are reborn but into the same life that you’ve always been born into. I mean, how many times have we had this conversation, detectives? Well, who knows? When you can’t remember your lives, you can’t change your lives, and that is the terrible and the secret fate of all life. You’re trapped…like a nightmare you keep waking up into.

There is no such thing as forgiveness. People just have short memories.

Life’s barely long enough to get good at one thing. So be careful what you get good at.

MARTY: He ain’t gonna talk with you.
RUST: I got a car battery and two jumper cables argue different.

I don’t like this place…Nothing grows in the right direction.

What happened in my head is not something that gets better.

Someone once told me, “Time is a flat circle.”


October Horror Goodie 4/31: Absentia (2011) (free with Amazon Prime)

Another little-known but supremely effective film. Tricia’s husband Daniel has been missing for seven years, and she’s about to declare him legally dead in absentia when he shows back up much, much worse for wear. He’s so visibly terrified he can barely speak, and as Tricia, her sister Callie, and a pair of detectives try to tease out what happened, he disappears again. HOW he disappears is a textbook example of (what I’ll call) the Jaws effect: the mechanical shark didn’t cooperate during production, so Spielberg had to show it less than originally intended, which is where the movie gets so much of its power. Same effect here: what happens to Daniel is suggested rather than shown outright, and that suggestion (involving the mysterious history of a nearby tunnel) is very frightening indeed, partially because it’s so bizarre and partially because it’s treated so matter-of-factly. A fantastic, economical film, right up through the brilliant final moment.


October Horror Goodie 5/31: Hannibal (1999)

While visiting a Virginia Tech writing program in 2000, I realized I hadn’t brought a book along, so I picked up Hannibal from a Kroger checkout line and quickly learned how real the clichés “page turner” and “couldn’t put it down” can be. (I think I read it twice during the trip.)

The sequel to Silence of the Lambs, Hannibal takes place seven years after the earlier book’s events and follows Clarice Starling’s troubled post-Buffalo Bill FBI career deep into mortal danger. After receiving a letter from Lecter, she sets off to track him down, in the process plunging into the nightmare that is Mason Verger, the only Lecter victim who survived (a term I use loosely, given the dreadful state he’s now in). Verger’s bedridden psychopathy gives Lecter’s a run for its money, and while I won’t spoil anything, I feel at this point I must warn you: in 35-plus years of reading horror fiction, Hannibal is easily the most disturbing book I’ve ever encountered. I mean, it is DEPRAVED. There are scenes in this book I’ve never been able to get out of my head, badly though I may have wanted to. To say it’s not for the fainthearted is like saying water is a little bit wet.

Which brings up a question: is this a good book, or is it just sensationalist in the extreme? I don’t know – maybe the latter? – but if you’re looking for something to give you the creeps this month, you can likely do no better than Hannibal.

(p.s. The 2001 film version isn’t bad, but it pales in nearly every comparable way with the book.)



October Horror Goodie 6/31: The VVitch soundtrack (2015)

I’ve talked at length here before about my love for scary music. I have not one but two Halloween playlists on my iPhone that I listen to year-round and on a constant repeat during October. One of the undisputed highlights of both lists is the soundtrack to The VVitch, Robert Eggers’s 2015 directorial debut that’s one of the best horror movies of all time. A fair amount of the movie’s power comes from this soundtrack, and I’ll tell you how I know this…

Within an hour of leaving the cinema after seeing The VVitch for the first time, I downloaded the soundtrack and listened to it while I went for a walk. Even on a bright, sunny Sunday afternoon, with cars and people around, I was scared out of my wits: skin crawling, hairs raising, head looking around for a devil-goat named Black Phillip cantering toward me on his hind legs. It was awesome!

Here’s a challenge: I dare you to go walking alone in the woods at night while listening to this entire soundtrack in your earbuds. I doubt you can do it. I tried, and I failed.


October Horror Goodie ‪7/31: Penpal (2012)


For this entry, I find that I again cannot improve on Zwolf's review of DathanAuerbach’s terrific novel Penpal, so I’ll direct you to that while also quoting two critical passages here:

“He [the nameless narrator] and his mother move away from his old neighborhood and he and his friend Josh sneak back to his old abandoned house, thinking his missing cat may have gone back there; the result of that escapade is one of the most incredibly creepy things I've read in a long life of reading horror – it's chilling and will definitely bug you.”

[As with the novel Last Days, I read this review before I read Penpal and forced myself not to jump ahead to the scene he describes here. And as with the scene from Last Days, there’s no hyperbole about this one just above. It is horrifying.]

“Next, the narrator goes on a movie date with a girl that turns into a tragedy of horrible creepiness, which will also get under your skin and lodge there, freezing.”

[Same interjection here: this movie-date scene is CREEPY.]

So, yes, Penpal is superb. It also has a fantastic cover.



October Horror Goodie 8/31: Mama (2011)

Lucas and Annabel (Nikolaj Coster-Waldau and Jessica Chastain) become guardians for Lucas’s recently orphaned nieces, who were kidnapped by their homicidal-suicidal father (a twin, also played by Coster-Waldau) and nearly killed at a remote forest cabin before he himself is killed by......something. The girls have been missing for five years when they’re found in the same cabin, feral and filthy and uncommunicative. With the help of a psychiatrist, Lucas and Annabel begin the process of helping the girls heal and reacclimatize but soon discover that something sinister has returned with the girls from the woods.

Mama is one of those horror movies that I like quite a lot despite its formula-driven frustrations. First, Coster-Waldau (Game of Thrones’ Jaime Lannister) and Chastain are two of the most physically beautiful people on the planet, so much so that their tritely bohemian existence (he’s an artist; she’s a bassist in a “rock band”) simply doesn’t ring true for their perfectly chiseled faces. Second, the totem that horror plot elements must spring from fractured families is more worn out than old carpet, and this film trucks in it incessantly. Third, another particularly galling totem, the Female Without Maternal Instincts Who Will Be Shown the Error of Her Ways, is in full effect here as goth-lite-rocker Annabel must inevitably begin to feel motherly stirrings, personality and free will and general human independence be damned. Fourth, the titular entity gets shown too much mainly because it’s a Guillermo Del Toro project, so of course the visual grotesquerie has to come front and center eventually, which naturally means the scary stuff loses its potency because we get inured to said scary stuff (to be fair, the malevolent entity’s look is terrifying). Lastly, see how I scare-quoted “rock band” above? Why do movies so infrequently get actual musicians and music-making right? I’m sure this same problem exists to some degree for every specialization, but I’m a lifelong musician, so this is the one that most sticks in my craw. To wit, Annabel and her band are more of a 2-D cartoon than Terrance and Phillip.

Nevertheless, two-thirds of this movie is frighteningly effective mostly because (sorry to keep beating this drum) early on the monster is only suggested rather than shown outright, and the fact that she manifests through and because of traumatized little kids ratchets up the horror. Watch, e.g., for the scene where Annabel has her back turned to a noisy closet and thinks that one of the girls is the cause, only to realize both of them are downstairs. YIKES. I saw Mama in the cinema when it opened and (I’m unashamed to say) watched this scene and others between my fingers, so, yeah, it’s a solid, spooky pick overall.


October Horror Goodie 9/31: Former neighbors’ Halloween decoration

The folks who used to live down the street from us once put up one of the best Halloween decorations I’ve ever seen. It kinda creeps me out to look at this photo even now, and I’m pretty sure I haven’t gone by this house since that day without thinking about it.


October Horror Goodie 10/31: Halloween II (1981)

How many legitimately good sequels are there? Godfather II, Toy Story 2 & 3, Aliens, maybe Iron Man 2 & 3, probably a few more. I’m no film historian, but I’m comfortable saying that, money aside, sequels generally suck. Halloween II, the sequel to one of the best and most iconic horror movies of all time, is not legitimately good, but it’s also not terrible. In fact, I’ll argue it does a pretty damn good job of continuing the story of Michael Myers’s return to Haddonfield to kill off the rest of his family. We begin with the very end of Halloween, just after Dr. Loomis shoots Michael, knocking him off the second-floor balcony onto the grass below, only to discover moments later that Mike is gone again. Mike knifes his way through town and eventually learns (via a mind-bogglingly stupid coincidence) that Laurie Strode, the survivor of the first film (and supposedly his adopted sister), has been taken to Haddonfield Memorial.

This is where Halloween II really succeeds: the atmosphere created by that dark, menacing, nearly deserted hospital would be unsettling even without Mike lurking around, but you add him and it’s downright terrifying. Sensing she’s in danger, Laurie hobbles out of her room and into the hospital only to run into Mike as he shanks a nurse from behind, and then the real chase ensues. It all ends with Loomis opening the oxygen tanks (“It’s time, Michael”) and blowing up some of the hospital’s first floor to rid the world of Mike (haha, right, as if!). And then the film sonically ends as it began: with the sweet strains of “Mr. Sandman.”

But here’s another reason both this film and its timeless predecessor are so lodged in my brain: their novelizations. In 1981-1982, an enterprising someone (or movie studio) published tie-in novelizations of both films, and me, being the Halloween-obsessive and book nerd I was/am, bought both and read them numerous times. As iconic as Halloween is, back then I actually liked the book more because it was more detailed and I liked the visuals in my head more than Carpenter’s (same with Halloween II). Alas, though, I lent both books to a girl I liked in college and never got them back, which really sucks because (a) it’d be super-cool to still have/read/loan them, and (b) they’re extremely rare now, and thus valuable.

Anyway, if you’ve never seen Halloween II, or if it’s been awhile, it makes for a good, spooky movie night.


October Horror Goodie 11/31: The Exorcist III nurse-station scene (1990)

Speaking of sequels, The Exorcist III is only a sequel to The Exorcist in name and in the tacked-on last third of the film. Regardless, it’s a decent horror movie (though William Peter Blatty’s source novel Legion is much better) that contains one of the best jump-scares ever. The scene is a slow-burning 5+ minutes, but it’s well worth your time.


October Horror Goodie 12/31: Shutter Island (2003)

Shutter Island isn’t a horror novel, but I found many of its passages suspenseful to the point of terror. In particular, the scenes detailing Teddy Daniels and Chuck Aule’s search around the titular facility for a missing patient as the island prepares for an approaching storm are absolutely thrilling, and most of the book effectively maintains this high level of frightening tension. Now, if you’ve seen Martin Scorsese’s 2010 film adaptation, then you know the twist ending (I won’t give it away), and I had several friends tell me they figured out the twist ending perhaps 20 minutes into the film. I, however, was completely blindsided by the twist when I read the novel, which either means (a) I’m gullible af, or (b) Shutter Island is well-written good stuff. I think I’ll go with the latter.

Speaking of the film, it’s excellent, especially Ted Levine’s brief, scenery-chewing turn as the Warden:

WARDEN: If I was to sink my teeth into your eye right now, would you be able to stop me before I blinded you?

TEDDY: Give it a try.

WARDEN: That's the spirit.


October Horror Goodie 13/31: The Descent (2005)

Still deep in the early stages of healing after losing her husband and daughter in a car accident, Sarah (Shauna Macdonald) and a group of outdoor-adventurer friends go on an ill-fated caving expedition. What follows is an exceptionally well-made horror film whose details I’ll spare in case you haven’t seen it, and I want to say “you must see this,” but, frankly, this is not a movie for the faint of heart. It’s rare in my experience to encounter a film this extreme that also deftly builds suspense, allows for thematic analysis, AND centers wholly on strong multidimensional women who aren’t there merely to be sexual objects and/or victims (and WOW does “victims” work in multiple, interesting ways here). Highly, highly recommended for horror fans with strong constitutions.


October Horror Goodie 14/31: Saturn by Francisco Goya (1820-1823)

I first saw this painting in a high-school history textbook (where it was called Saturn Devouring One of His Children), and it has spooked me ever since. To me, it’s like a visual representation of what traditional black-metal vocals sound like, which is neat because it’s one of Goya’s so-called “Black Paintings.” I hope to see it in person at the Prado someday.


October Horror Goodie 15/31: Rosemary’s Baby (1968)

The older a horror film gets, the less effective it is. Like everything else in human existence, this statement could never be 100% true across the board, yet I argue the premise holds up most of the time. Night of the Living Dead, for instance, cannot possibly still carry the same power for modern audiences that it must have for those in 1968 when it was released – virtually everything about it looks, feels, and sounds quaint (if not downright archaic), from the faded-looking visual palette and crackly score to the generally wooden acting (and I don’t mean the undead). The film’s influence and legacy, of course, are beyond question, but its scares cannot reasonably be expected to hold their potency across 50 years of technical filmmaking innovation and evolving narrative patterns. (FWIW, the opening sequence of Night of the Living Dead is one of my favorites in all of cinema, and, yes, it still creeps me out – the atmosphere it creates remains full of palpable dread that shambles into outright terror.)

Rosemary’s Baby is one of the major exceptions to what I say above. Also released in 1968 (what a shock that such an objectively awful year for U.S. sociopolitics spawned genre-defining horror films), Rosemary’s Baby tells the story of Rosemary and Guy Woodhouse (Mia Farrow, John Cassevetes), newlyweds who move into a new apartment and gradually learn that their next-door neighbors, Minnie and Roman Castevet (Ruth Gordon, Sidney Blackmer), are Satanists. To modern sensibilities, this plot must sound positively tame, and, yeah, the way everything unfolds seems pretty tame overall. But Rosemary’s Baby works like gangbusters even now, 50 years on, because the film (a) builds suspense masterfully by taking its time, (b) gives almost nothing away / confirms nothing until the very end (read: the final 5 minutes), and (c) treats the goings-on realistically and matter-of-factly no matter how bonkers they seem (e.g., Rosemary’s “dream sequence” might be weirder now than it was back then – it is fucking bizarre).

Allow me to use myself as a mini-case study. I was aware of this movie and its reputation for decades, but I knew almost none of its specific details, and I actually never watched it at all until perhaps 2011 (don’t ask me how – I guess I just never got around to it). So I watched it virginally, and I like surprises, so I’m adept at not picking up on clues (purposefully or not) in order to enjoy the eventual payoff. And holy shit did that method work well with this film. I knew, of course, that Guy and the Castevets and everyone else in NYC may have been gaslighting Rosemary, but I honestly didn’t know what was going to happen when Rosemary unblocked the secret passageway between her neighbors’ apartment and her own and snuck into the gathering next door. This gathering turns out to be a full-on assembly of Satanists, and I’m convinced almost nothing can prepare you for seeing and hearing these upper-middle-to-upper-class people in suits and dresses looking very “normal” shout “SATAN LIVES! HAIL SATAN!” as they explain to Rosemary that her son (whom she was earlier told had died during childbirth) is right over there in a black crib and that he is the literal son of Satan, Rosemary having been impregnated by him during her “dream.” At the risk of projecting my own reactions onto others, I think it’s a testament to how firmly entrenched our collective / received concepts of good and evil are that we can still be shocked by the idea that people who look respectable or clean-cut or “normal” or “typical” (ad infinitum, ad nauseum) could have, shall we say, bad intentions. In our current sociopolitical climate, this seems especially significant.

As a closing thought, even if nothing I say here sounds enjoyable or palatable to you, you should watch Rosemary’s Baby anyway just to see Ruth Gordon in action as Minnie Castevet (see photo). She very rightly won an Oscar for this unforgettable portrayal, which is outlandish and hilarious and singular and endearing and, in the end, terrifying. A character for the ages in a film for the ages.
  

Thats it for now! More to come!

3.22.2018

The Genius of the Sea


A rare attempt at non-horror fiction (not trad horror, anyway). Short and to the point(less). Enjoy.

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He triple-layered his clothing and walked into the surf. His plan had been to swim out as far as he could until fatigue and the sodden fabric pulled him under for good. What never occurred to him was how strongly he swam, for as he stroked and kicked, his leather shoes occasionally smacking against one another and reminding him he was in the water fully clothed, he kept wondering when he’d start feeling tired and was surprised to find that fatigue seemed rather far away.

After perhaps 45 minutes of swimming and occasional floating, he craned his head up and looked forward instead of side to side and nearly screamed as he saw something massive rising out of the water in front of him. He juddered to a halt while salt water rivuleted down his face and into his open mouth, his breath rapid from exertion. It was a concrete bridge piling. As his salt-stung eyes adjusted to the dusky light, he blinked and wondered how this could possibly make sense: how would an ocean have a bridge? But then he glanced the shore, and he realized that he’d inadvertently veered left into a part of the intracoastal waterway even though he’d intended to swim straight out to sea. I can’t even fucking kill myself properly, he thought and snorted a cold laugh.

As he treaded water and looked around (he was still not tired), he thought about what he was doing. I just want to go, he’d taken to telling himself, as though this was the end of the discussion. He knew how good he had it – a wife he loved, a job he didn’t hate – but he also had a stain inside that blossomed and consumed him at regular intervals despite the therapy and pills. And it didn’t consume him like movies and pharma ads showed; he didn’t mope around the house in sweatpants, sighing and unshaven and looking at the poor dog who just wanted to be walked. No, he was good at functioning. He went to work, he socialized, he was attentive to his wife, but he was often aware that as he looked around in all these settings he saw nothing, and he eventually realized that the nothingness stemmed from looking inward, which is when he first truly started thinking about leaving.

Thoughts about procedure came easily but academically, something held at a comfortable distance, and he reassured himself that he wasn’t really suicidal, just curious and escapist, wishing away his feelings with the idea of a painless, uncomplicated exit, as though he could physically dissolve at will and cohere somewhere else, far away from people. These thoughts gradually became more concrete – he imagined several different methods, all clichéd (wrist-slitting in the bath, gunshot to the head or jugular, stepping off a tall building) but quickly dismissed these as too messy, for he didn’t want to inconvenience anyone with a crime-scene grotesquerie. He just wanted to disappear. His first instinct had been to walk into a forest and keep walking, but this wasn’t finite enough – no outdoorsman, he might walk out of the woods at any moment into more suburbia, or, if successful at a forest death, his remains might be found by someone (hunter, logger), thus violating his commitment to convenience for those left behind. It was then he thought of the sea.

When he began turning these ideas over in his head again as he treaded water, he’d felt a twinge of worry that he might chicken out, but this turned out to be unfounded – he felt as calmly resolved there in the cold ocean as he’d felt when he woke up in bed that morning. So he elongated himself in the water preparing to swim out of the waterway and head out to sea as planned. He had just begun kicking and rotating his right arm when something crashed down upon him from above. The impact drove him about 20 feet under the surface but not before it broke his back, severing his spinal column and ejecting all his oxygen in a miasmic plume that was bloody from his hopelessly damaged organs. He gasped involuntarily and swallowed an immense amount of seawater, the crushing pain in his flooded lungs somehow overshadowing the agony of his catastrophically ruined spine and ribs. Within a minute he lost consciousness and slowly began to sink.

The jumper, meanwhile, had died first and died instantly, his entire body essentially gelatinized when he hit both the water and the swimmer feet first at nearly 80 mph. He sunk too, slowly, just a few feet above the swimmer.